Posts Tagged ‘Take That’

So it’s the start of a New Year, so what better time to look back at some of the great music 2011 had to offer us.  Here are my top 10 songs of the year (I made a rule of only one song per band to make it fair), be sure to vote for your favourites and have your say!

10. Coldplay – Every Teardrop Is A Waterfall

As the first single from Coldplay’s fifth studio album ‘Mylo Xyloto’, ‘Every Teardrop Is A Waterfall’ is your standard Coldplay song. Like many of their previous hits it sounds big and anthemic, which don’t get me wrong is great, if a little predictable.

9. Ed Sheeran – The A Team

Ed Sheeran really captured the nation’s hearts last year with debut single ‘The A Team’. It’s subtle melodies and soft vocal make the track easy to listen to.

8. Elbow – Open Arms

This track from Elbow’s fifth studio album ‘Build A Rocket Boys’ is such an uplifting and powerful song, of which there is unfortunately very little of in UK music charts today.

7. Clare Maguire – The Shield and The Sword

It was a great year for singer-songwriter Clare Maguire, releasing her debut album ‘Light After Dark’ in February last year. This was my favourite track from the album, the electro-dance melody beautifully compliments her strong vocal on the track.

6. Adele – Someone Like You

I had to include this song, as one of the best-selling and most played of the year. It’s a beautiful ballad, guaranteed to tug at the heart-strings on every listen.

5. Take That – The Flood

The Flood was the first single from the album ‘Progress’ and served as a promising preview for what the album was to bring. It’s catchy, it’s dramatic, it’s cheesey – everything you need from a Take That record. It’s just a dreadful shame that the rest of the album didn’t quite live up to this potential…

4. Snow Patrol – This Isn’t Everything You Are

I feel like this song manages to encapsulate Snow Patrol at their best. For me it falls somewhere between ‘Chasing Cars’ and ‘Crack The Shutters’, capturing a perfect balance between the emotional extremes of melancholy and hope.

3. Sophie Ellis-Bextor – Dial My Number

Written about a text stalker, this track from Sophie’s fourth studio album ‘Make A Scene’ simply defies you not to dance. It was difficult to pick a favourite from the album, ‘Off & On’ and ‘Starlight’ were also strong contenders, but ‘Dial My Number’s killer riff won out in the end.

2. Sinead & The Dawnbreakers – Don’t Pretend

I have had this song on repeat for months! Their 60’s-esque style makes them pretty unique on the current music scene and this track is really upbeat and fun – guaranteed to make you smile.

1. The Feeling – Say No

My number one track of 2011 has to be ‘Say No’ from The Feeling’s third studio album ‘Together We Were Made’. From the moment I first heard this song live I adored it, and the final recording keeps all of the emotional build up, heightened by the additional vocals of Sinead Quinn. If ever there was a perfectly crafted song, this is it!

Well I’ve had my say, now it’s your turn – vote now!


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Take That. They dominated our charts in the early 90’s producing two of the best-selling albums of the decade, before their split in 1996. Since their return in 2006 their popularity has grown phenomenally, leading to their latest album, ‘Progress’ becoming the fastest selling album of the century and the second fastest selling album of all-time.

On Saturday night, I went to the Ipswich Regent to see Back For Good, one of the most critically acclaimed Take That tribute acts around. Back For Good are: Dan Maines (Gary Barlow), Matt Hall (Mark Owen), Steven Craven (Howard Donald) and Jay MacGregor (Jason Orange) with the recent addition of Tony Lewis as Robbie Williams.

But are they as good as the real thing?

And the simple answer, is yes. I was really blown away by their performance.  Matt and Dan are vocally stunning, and having seen Take That several times before I can safely say they’ve got their performance off to a tee. You can tell that a lot of work has gone into this show, the attention to detail is immaculate, from the costumes and set right down to each members individual mannerisms. In fact, the only thing they were short of was an elephant!

They opened the show, with Greatest Day, mimicking The Circus Tour, which was followed up with Hello – in which the guys came down into the audience to say ‘hello’!

This was followed with old favorite ‘Could It Be Magic’, Take That’s comeback single ‘Patience’, and a polished performance of the inconceivably impossible ‘Pray’ dance.

They played all the old favorites throughout the night ‘Relight My Fire’, ‘A Million Love Songs’ and even the Clown Medley from The Circus tour in 2009. Which brings me on to a topic which often causes much debate. Which are better, small gigs or big gigs? Personally I’ve always been on the side of small gigs, and the evidence from Back For Good certainly supports that. They could do all the same routines (all be it scaled-down) yet they could also connect with the audience in a way that you never could in a big stadium.

A few of the new ‘Progress’ tracks were also thrown in towards the end, starting with ‘The Flood’. I was pleasantly surprised to see ‘SOS’ in there aswell. I hadn’t expected it as it isn’t a single, but their performance had so much energy! It’s a song that from first listen I’ve always thought will work well live, so I look forward to how the real Take That perform it in the summer.

We were also treated to a beautiful rendition of ‘8 Letters’. I’ve got to say, even though among the Take That fans the song is often seen as a favorite, it never really grabbed me hearing it on the record. However, I think it could just be one of those songs that sound so much better when you hear them live. For the first time, I really got into this song that night.

‘Up All Night’ and ‘Hold Up A Light’ brought the audience to their feet, leading to the guys sitting on the edge of the stage for a nostalgia filled performance of ‘Back For Good’.

They Finished the show with ‘Rule The World’ and an encore of the undeniably brilliant ‘Never Forget’.

I do wish we’d had some input from the ‘Beautiful World’ tour – ‘Reach Out’ and ‘Beautiful World’ for example are some of my favorite Take That songs. However I do understand how difficult it must be to put together a set list which will please all the fans – you can’t have it all!

I would highly recommend this show to any Take That fans out there – particularly if you’re gutted on missing out on tickets to the Progress tour. It’s a fantastic night out, and not to be missed!

Check out the Back For Good website and Facebook page.

Photos courtesy of Ramona Crofts.

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I know we’re nearing the end of January now – but I thought I’d take this opportunity to take a look back on 2010 to give you my thoughts on last years musical offering. I’m also very interested in your opinions, so do be sure to leave a comment.

January brought us the wonderful ‘dream-pop’ of Owl City’s ‘Fireflies’, a single which really captured the hearts of the nation. It was refreshing to hear something a little bit different, not just the same R&B and Dance music that’s been dominating the charts for so long. Don’t get me wrong, it has it’s place, but I just prefer to have more diversity in the charts. And no, I’m not referring to that dance group off ‘Britain’s Got Talent’…

However last January also brought the unbelievably irritating noise of Justin Bieber into our charts, who’s songs are just another bit of the same old stuff, except in a higher pitch. And this of course lead into more insufferable singles from the X-Factor manufactured JLS.

Rant over, I bring you to quite possibly my favorite month for music last year – May. At the beginning of the month we were treated to, in my opinion the best single 2010 had to offer, Sophie Ellis Bextor’s ‘Bittersweet’.  We also had ‘Neutron Star Collision (Love Is Forever)’ by the phenomenal Muse, released as part of the ‘Twilight: New Moon’ soundtrack.

But most importantly for me, May was the month that brought my favorite gig of the year. It was of course The Feeling at The Water Rats on the 5th of the month. The band took the gig as an opportunity to preview some of the new material for their upcoming third album (expected May/June this year) to their fans. It was the place they were first signed from, so it was also a nice chance for the band to go back to their roots. Read the full review of the gig here.

The summer brought us the care-free tones of Eliza Doolittle’s ‘Pack Up’, Katy Perry’s ‘California Gurls’ and Example’s ‘Kickstarts’, along with one of the most infuriatingly catchy tracks in all of history, ‘We Speak No Americano’. Scouting For Girls even bothered to write us a few new songs, unlike their debut album, which was full of remixes of the same song.  How thoughtful of them!

August brought us an eagerly anticipated follow-up to ‘The Trick To Life’ from The Hoosiers. ‘The Illusion Of Safety’ is full of instantly catchy tunes to really get you dancing. Initially I thought it may even be better than their debut,  but in retrospect, I feel it  just lacked something the first album had. But still a brilliant second album from them.  I Am Arrows released their debut album ‘Sun Comes Up Again’ which became Radio 2’s album of the week, and subsequently ended up being the soundtrack to my holiday!

In September, The Killers frontman Brandon Flowers went solo with ‘Flamingo’. I really feel this album was overlooked a little in the media. I would personally have said that it was the best album of the year, but if an album isn’t given the right media coverage, it just doesn’t get very far in this business. Shame.

Muse also played two nights at Wembley in September. I was at the second, which, for a big Muse fan was great as they played a few older tracks which are virtually unheard of these days; the likes of ‘Citizen Erased’ and ‘Bliss’. It was a shame that they were at the expense of more recent tracks ‘Neutron Star Collision (Love Is Forever)’ and ‘I Belong To You’ which they had played the night before, but hey, you can’t please ’em all. A stunning performance as always.

Take That re-united with Robbie Williams this year, releasing ‘Shame’ in October. Understandably, many of us didn’t know what to make of this. Anyone can see that musically the song wasn’t brilliant. But do we just take this as a send-up? Or is this really the level we can expect from Take That and Robbie in the future?

This of course lead into Take That’s ‘Progress’ at the end of the year. Take That back as a five piece, there was so much hype surrounding this phenomenon, but does it really live up to the hype? I’m aware I may alienate a lot of people with what I’m about to say, but it’s just my opinion, please hear me out.

In my opinion, ‘Progress’ just doesn’t match up to the heights of  it’s predecessors ‘Beautiful World’ and ‘The Circus’ – both albums full of beautiful song-writing and lyrical genius. There are some stand out tracks for me ‘The Flood’ ‘What Do You Want From Me?’ and ‘SOS’ spring to mind, but the majority of them just haven’t got me hooked yet. You can say it’s a grower, but by now I would have expected it to have grown on me. It just hasn’t. And where the Hell is Gary Barlow on this album?! He only sings one song! The majority are sung by Robbie – I may aswell have purchased a Robbie Williams album!

Now I’m not saying by any stretch that it’s a bad album (and by some of the standards of recent times, it’s positively amazing!) but it’s just not up to the quality of Take That music that I’m used to. I don’t know if it’s down to Robbie, or whether (and I suspect the latter) they simply didn’t put the effort in. ‘Hey, Robbie’s back in Take That. Don’t worry, people will buy the album anyway.’ I really hope this isn’t the case, because this is not like them, but the whole album, to me, just looks like a big publicity stunt.

December also brought us a tour from Squeeze, and Sophie Ellis Bextor’s first solo tour in over three years. She did not disappoint! All of her new songs sounding fantastic leaving me very excited for the album (currently scheduled for March). Read my full review of the Sophie gig here.

And unfortunately Christmas was once again ruined by The X-Factor and Matt Cardle. It’s such a shame. Biffy Clyro’s ‘Many Of Horror’ is an awesome tune, but now it’s just another song added to the long list of X-Factor victims. It’s been given the typical X-Factor (verging on Westlife) treatment, of that generic, diabolical key change to signal the final chorus. But perhaps the most unforgivable of these sins is the name change to ‘When We Collide’. It’s unnecessary. It’s an insult to its audience really, as if to say they wouldn’t know the song if they gave it its proper title.

Is it really too much to ask to get a CHRISTMAS song to number one next year? It’s not as if no-one’s writing them! Last year we had some fantastic offerings from both The Killers and Coldplay. Rage Against The X Factor worked a treat, lets do that again but with an actual Christmas song. Now that’s something to aim for.

So what’s happening in 2011?

So, what can we look forward to this year? Well, we can expect albums from The Feeling, Sophie Ellis-Bextor, Florence + The Machine, Lady GaGa, Adele, Britney Spears, R.E.M and Elbow over the coming months.

The new artist I’m most excited about for this year, and my ‘one to watch’ as they say, has to be Clare Maguire. I first discovered her when ‘You’re Electric’ was made iTunes single of the week. Since then I’ve been hearing so much about her and listening to more of her material. You can download ‘Strangest Thing’ for free from her Facebook page. Her debut album ‘Light After Dark’ will be released 28th February.

Well I’ve had my say, but now it’s your turn. What are your favorite and least favourite tracks, albums and gigs from the last year? What are you looking forward to this year?

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As it would appear that this year’s Brit Awards have snubbed the Best Live Act award for this year, I thought I’d let my wonderful readers decide! so, as follows are the nominations for Best Live Act Of 2009:

Results will be announced 16th Febraury.

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